an excellent adventure, spiced with hints of symbolism. I loved the dialog between the characters. Well worth reading.

A candid look into the future as this conflict grows. Religon and science are the two giants of civilized mankinds mental and social discourse. The continuing conflict is something which involves all of us. Well done.

The use of people to personify the forces of religon and science was well done. I especially liked the charecter of Thomas. He adds a magical quality to the book.

I was 6 years old when I received this book, and to this day I credit Koa and friends for instilling in me a great curiosity and appreciation for international travel, foreign languages, and cultures beyond my own. The illustrations are brilliantly colourful and tenderly rendered; these alone will invite the reader to sit down and follow the koala from country to country (or from cover to cover, as it were). Today I realize I have been inspired by this dear book for almost 30 years, both creatively and in my travels. Hope this one comes back in print someday soon.

I received this splendid book as a Christmas gift, I guess I was about ten. Just to remember the artwork gives me the wanderlust! Sorry to see it's out of print for the time being.

I received "Around the World with Koa Koala" for my ninth birthday. I read this book from cover to cover about a million times. I credit this book with my desire to travel all around the world. I am now 30 years old.

I want to thank the author for giving me my travelling jones.

The life praxis of assassinated prison intellectual and revolutionary George Jackson embodies much of the radical possibility embodied by the work of radical prisoners. Incarcerated in 1960 at the age of eighteen for a $70 gas station robbery, Jackson was given an indeterminate sentence of one year to life. His staunch disobedience to prison rules and officials, along with his principled and visceral hatred of confinement, spurred Jackson's political and intellectual transformation within the prison. As his political stature among California inmates grew, Jackson became a liability to state authority through his profound effectiveness as an organizer and educator of fellow prisoners-in fact, one can still find many (formerly) imprisoned and free people who testify to Jackson's mentorship as integral to their political formation. This praxis essentially guaranteed that Jackson would never again see the light of the outside, and his brutal, open execution on the concrete ground of San Quentin prison emblazoned the logic of state repression in spectacular fashion. It is an ironic, perhaps fitting testament to Jackson's lasting political legacy that a wall in the San Quentin prison "museum" contains a mounted trophy case of the high-powered rifle that killed him on August 21, 1971, along with a bronze plaque enshrining the name of the guard who pulled the trigger.
George Jackson was, in many ways, the personification of Frantz Fanon's paradigmatic "native intellectual." In Fanon's terms, Jackson's widely read Soledad Brother and Blood In My Eye became "literatures of combat," serving dual capacities as theoretical texts and mobilizing tools. Close analysis of Jackson's knowledge production reveals a general congruence with the third, revolutionary "phase" of Fanon's developmental conception of the revolutionary native intellectual:

"Finally in the third phase, which is called the fighting phase, the native, after having tried to lose himself in the people and with the people, will on the contrary shake the people. Instead of according the people's lethargy an honored place in his esteem, he turns himself into an awakener of the people; hence comes a fighting literature, a revolutionary literature, and a national literature. During this phase a great many men and women who up till then would never have thought of producing a literary work, now that they find themselves in exceptional circumstances-in prison, with the Maquis, or on the eve of their execution-feel the need to speak to their nation, to compose the sentence which expresses the heart of the people, and to become the mouthpiece of a new reality in action."

As Jackson found political agency in abrogating the image of the depersonalized, silent, debased prisoner, he recognized his own incarceration as the logical outcome of a collective plight. The destiny of human expendables, the surplus people left to languish under the advance of white supremacist capital, was death, addiction, unemployment, and mass warehousing. Jackson consistently articulated the tortured severity of his relation to the world in these terms, stating and re-stating the essential dialectic of capital that rendered antagonism, deviance, and disobedience the most generalized mode of existence for people like himself:

"...that's the principal contradiction of monopoly capital's oppressive contract. The system produces outlaws. It also breeds contempt for the oppressed. Accrual of contempt is its fundamental survival technique. This leads to the excesses and destroys any hope of peace eventually being worked out between the two antagonistic classes, the haves and the have-nots. Coexistence is impossible, contempt breeds resistance, and resistance breeds brutality, the whole growing in spirals that must either end in the uneconomic destruction of the oppressed or the termination of oppression."

This epistemology of resistance and antagonism structured Jackson's political praxis. It was precisely his refusal of an idealized, hopeful "peace" (along with a pedagogical willingness to articulate the grounds of his refusal) that may have made his political assassination virtually inevitable. Jackson believed that the structural inevitability of state repression formed a condition of resistance for prisoners and free people alike. Yet, embracing this condition could produce an existential suicide-the necessary condition for declaring war on power.

"This monster-the monster they've engendered in me will return to torment its maker, from the grave, the pit, the profoundest pit. Hurl me into the next existence, the descent into hell won't turn me. I'll crawl back to dog his trail forever. They won't defeat my revenge, never, never. I'm part of a righteous people who anger slowly, but rage undamned. ...I'm going to charge them reparations in blood. ...This is one nigger who is positively displeased. I'll never forgive, I'll never forget, and if I'm guilty of anything at all it's of not leaning on them hard enough. War without terms."

For George Jackson, the historic possibility of forging a utopic "new reality" could only emerge from the corporeal ashes of those who dared challenge the corporate state's programmatic killing of oppressed people in and outside the U.S. It was this imagination of a righteous political death, a glorified descent into hell mandated by a social formation that fed on the bodies of disobedients and disposables, that allowed for the creative rearticulation of the imminent, violent consequence of repression.

This book offers an excellent, honest portrayal of the day to day reality of 70s black revolutionairies and it can be promised that once you begin reading, you will rush to the end.

This book takes you to the heart of the Black Power movement and is so intriguing because it is written by someone who lived, and died for a cause in which he believed.

So often books or studies that focus on this specific facet of the civil rights era dillute the reality of the moment, because they are writing from a mere spectator's point of view, rather than from the perspective of actual participants.

For this reason, this book should be a must read for anyone studying the Black Panther Party--if they want to know the principles, beliefs and hopes of the people.

George Jackson, a man imprisoned for robbery at a young age and given one year to life in the penal system. Self educated in jail by the works of Marx, Fanon, Mao, Che and many other revolutionary intellectuals. Powerful comments on Urban Guerrilla Warfare. A must read for anyone grappling with the question of How? How can we strike a blow at the Oppressors, read this book you will glean ideas, what you do with them is on you. peace!

I gave Charles a 5star becausse this book/story was funny and enjoying. I read it in my 8th grade class even though I haven't bought it yet. It is truly a hilarious book.

I gave Charles 5 stars because it was very funny.The little boy was always making fun of his father. Charles was always getting into trouble and becoming an institution in Laurie's house. The characters in Charles were excellent. Charles and laurie were both funny and kids to whom I can relate. Laurie's parents were always wondering more about Charles rather than Laurie. The plot was somewhat predictable. Laurie was bad at home and Charles was bad at school, so I could tell something was wrong. Laurie was really the real Charles. The autor never came out and said it, but it was obvious.

If you have never read or heard about this story, read it! Jackson is a master story teller, insuring that even the most picky reader will enjoy this tale. Any mother who has ever had a problem with her childs' behavior in school will take comfort from this story, gaurenteed!

I must own over 20 cookbooks and I always come back to this one. Every recipe from this book comes out great! I've given this book to 7 of my friends for Christmas only to find out that they already had one! My favorites include "Tomatoe Tart", "Grilled Asparagus", "Mustard Pork Tenderloin", "Champagne Shrimp", "Walnut Salad", etc... could go on and on. This is a must! Not only has great recipes but the paper and pictures are of the highest quality.

This book has all the earmarks of a beautiful "coffee-table" book - it is interesting whether you are a Southerner or not. It is also quite easy to use. As an avid recipe reader, I can always find something here that I have not tried before. It has a "fish guide" in the back that let's you know what types of fish you can substitute in recipes - very helpful! It also gives a new twist on some traditionally great recipes in a style that invites the reader to open up his/her home to guests with ease.

I reach for this cookbook again and again, as do my friends. I recently hosted a "new recipe" girls night. All of "the girls" were to bring a dish using a recipe they have never tried before, but wanted to. Out of 6 new recipes, four were from this cookbook and they were absolutely devine. I should mention that I made no mention of the cookbook when planning the dinner.

I have prepared many of the recipes, and have loved them all. While some are simple and great for my small family, others are more impressive and just right for entertaining. Truly, this is one of my favorite cookbooks.

In addition to the recipes, the sidebars offer wonderful tips.

This engaging and enlightening book is as much fun to read as it is profitable to use. Structured like a theater script and written with a dramatic verve, it casts teamwork as human drama, and taps and energizes team members' innate will to succeed not just as individuals but as members of a group. This book, and its companion volume "The Disney Way," really stand out from the business book pack in their passion, good humor, and advice on creating the practical magic that makes a team even greater than the sum of its parts. Authors Capodagli and Jackson are really onto something with their "Dream, Believe, Dare, Do" guiding principles, and their business-wise and human-wise insights make their work essential reading for leaders of all types.

As a consultant myself that works with cross-functional teams, it is great to finally come across a book with proven activities that really work! This is a great tool to add to your repertoire. Individual activities are spelled out in terms of the benefits they provide, the materials required and specific guidelines on how to conduct them. This is a great contrast to the plethora of books on the market that promise great activities but provide nothing of value.

An extremely useful collection of tools. I'll use this book in my teaching and training and recommend it to others.

I have never heard of ecovillages before and it seems to be the perfect idea. The book consists of articles about and by different people about different ecovillages around the globe. I am fascinated how many aspects there are to ecological cultural and social living. There is lot of pictures of "green" houses and maps of some villages, also there is emailadresses and a lot of recources. I just started reading but I know that this is definitly the most important book I found in a long, long time.

Finally, it has arrived. I've been waiting for this book for a long time. As an environmental philosopher, I have come to believe that ecovillages (or urban villages - the Global Ecovillage Network doesn't distinguish) are our only hope for survival on this planet. And this is the best book available on the subject.

A quick glance at modern society shows many signs of cultural and economic stress: including war, militarization, gun violence, media violence, over-consumption of resources, overpopulation, failing democracy, money in politics, monopolization, sexual inequality, racism, inadequate health care, rising crime rates, advertisement glut, commercialized education, materialism, community fragmentation, work-related stress, mass layoffs, poverty, and a mass sense of alienation - from self, other and nature.

Signs of biological stress in the natural world are even more daunting. Fisheries are collapsing, forests are shrinking, rangelands are deteriorating, soils are eroding, species are disappearing, global temperatures are rising, rivers are draining dry, water tables are falling, the ozone layer is depleting, more destructive storms are brewing, the polar ice caps are melting and sea level is rising (see ECO-ECONOMY for details on the eco-crisis). In this context, Chris Bright's warning rings ominous: "Nature has no reset buttons."

Trapped in the confines of global economic corporatism, we must ask, Could it be that the fundamental design of society is flawed? Are large nation-states and even larger corporations conducive to ecological and cultural health? How about wage labor and the monetary system in general? How do we go about creating unique and beautiful communities without inequality, hunger, insecurity, want - and without killing the planet? In a word, how can we live the Good Life? Is it possible?

The answer to all of these problems is the same, and you will find them in this book. Ecovillages are the answer! In this book you can expect to find a great collection of photographs, wonderful charts and graphs, maps, people profiles, design layouts, philosophical perspectives and the historical background of the ecovillage movement. There is no better book on the subject, and no more important subject for the new millennium. How else will homo sapiens reach homeostasis on this planet? If you can think of one, please send me an email.

This book has the same potential for impacting global society as Bill Mollison's seminal work, "Permaculture: A Designers' Manual"! In fact, "Ecovillage Living" adds the human dimension to permaculture. As permaculture was a new word and espoused an alternative harmonious world view, based on a natural order and relatedness, "Ecovillage" has now been retrieved from the banality of contemporary "Green" suburban marketing slogans. An acceptable standard for "Ecovillage" has now been defined in all of it's wonderful, practical, complexity. "Ecovillage Living" comes from the source, Hildur Jackson, one of the founders of the Ecovillage Movement.

Like a well cut diamond, "Ecovillage Living's" beauty is multi-faceted. It could be a textbook for the wealth of data, practical real life examples, and additional resources presented. The remarkable compilation of photographs and renderings,takes the reader to many of the 15,000 sites and into the hearts and minds of the movement. This visual variety and global context easily translates into a coffee table icon, that could stimulate dreams into action. In a more personal vein it could be seen as a personal diary/contemporary record of an increasing number of people on six continents that sense their need to reconnect with the planet and each other. It's a diary/record of their dreams manifested, and invites others to join them!

As former President of Silicon Valley Habitat for Humanity,Inc., a "Green" builder and developer, and an aspiring Ecovillage occupant, it's a pleasure to give "Ecovillage Living" my highest recommendation.

This book should be mandatory reading for any course about the civil rights or black arts movement of the 60s. Freedomways magazine, edited by Esther Cooper Jackson, chronicled the entire civil rights and black arts movement with insightful analysis, critique and articles. Includes work by W.E.B. DuBois, James Baldwin, Alice Walker, Angela Davis, and other legendary Black poets and writers who first started out by publishing in the magazine. Also, it provides interesting research on the struggle for social, civil, and political rights here in this country and abroad. A must read as many of the articles within the "Reader" have never been published elsewhere.

this is a Great book that covers so much Historical important information.a wide view of knowledge of the struggle all here.a must have.books like this cover so much.

From 1961 to 1986, Freedomways published the words and thoughts of the leaders of the freedom movement; yet few modern Americans have heard of the publication. Esther Cooper Jackson and Constance Pohl's Freedomways Reader gathers key writings from the pages of the various Freedomways booklets, charting the struggles for racial equality and providing an oral history of black freedom struggles, from reports of the Freedom Riders to short stories.

From Hell To Jackson Hole: A Poetic History Of The American West is a memorable book of original poems cherishing the history and spirit of the American West. Color photographs of artworks celebrating the Old West are occasionally interspersed among the moving, free-verse narratives that give life and memory to an era. Adah Isaacs Menken: Toast of San Francisco, she wowed the West/playing Mazeppa, the Cossack prince lashed/birthday naked to a wild stallion's back/in punishment for some illicit love./She filled the stage with frenzies of the flesh.//Many men damned her; most fell at her feet/and gave her gold or shares of mining stock.//Once, in Virginia City, Mark Twain came/to call at her hotel. She sipped champagne/and fed her lap dog brandied sugar cubes./He spoke in riddles of her pretty hands.

This is the book that John Mark Eberhart in his Kansas City Star review calls "one of the most illuminating histories of the American West you'll ever read" and one in which Michael L. Johnson "has taken what many consider to be a humble subgenre of American verse--so-called 'cowboy poetry'--and turned it into literature of the highest order." He's right as Roy Rogers riding on the white-hat side of law and order!

I keep this book out where I can get at it during the day so I can read a page here and there. It's filled with poems both long and short (e.g. Haiku).

The most treasured thing about this book is the appendix which lists sources. I can thus read further about the intriguing characters which are the subjects of the poems.

When I was in elementary school, this book was in the library and became my favorite children's book. Have you ever had things happen in your house that you can't explain? Many think they have ghosts, but perhaps there is a Grumpus in your home. A small boy is accused of the messes that are in the house and punished by his mother when he told her that a Grumpus did it. An adorable book with great pictures and realistic themes of parent and child interaction. I highly recommend this book to your child's collection.

This was my son's favorite book when he was a child. I read it over and over to him. The Grumpus is a wonderful character, very impish and fun loving. Incidently my son never did any of the things the Grumpus did , or that was his excuse. He is in college now and still remembers this fun loving book.

A wonderful, mischievous picture and story book to read to small children